Images for Publication

On this page you will find publication-quality images for current and upcoming special exhibitions, as well as general museum images (scroll to bottom), and objects from the permanent collection. INSTRUCTIONS FOR USE: Click any image to view a larger view, then right click to save and download for authorized use.

Images vary in print size, but all are 300 dpi for print. The titles and dates of the works are given, as well as credits, if applicable.

Copyright Notice: Images are intended for use by journalists. Use of any image must be accompanied by its credit line. Use of these images by any other parties or for any other purposes, private or commercial, is strictly prohibited unless express written consent is obtained directly from Maryhill Museum of Art. If you would like to use images from the collections for commercial or promotional use, please visit our Image Rights & Reproductions page.

The Hound of Heaven
On view March 15 – November 15, 2023

R.H. Ives Gammell (American, 1893–1981), Transfiguration (#13), Untitled (#14), and Agamemnon (#17), from Fragments of An Uncompleted Cycle, 1955-1975, oil on panel, 40⅜” x 13⅞” each; Given by the Mairs family in memory of Thomas S. Mairs, Collection of Maryhill Museum of Art, 2021.14.2–4
I was heavy with the even, When she lit her glimmering tapers, Round the day’s dead sanctities, Panel XIII from A Pictorial Sequence by R.H. Ives Gammell Based on “The Hound of Heaven,” 1941–1956, oil on board, 79” x 31”; Gift of the R.H. Ives Gammell Studios Trust, Collection of Maryhill Museum of Art, 2000.14.14
I pleaded, outlaw-wise, By many a hearted casement, curtained red, Trellised with intertwining charities, Panel VIII from A Pictorial Sequence by R.H. Ives Gammell Based on “The Hound of Heaven,” 1941–1956, oil on board, 79” x 31”; Gift of the R.H. Ives Gammell Studios Trust, Collection of Maryhill Museum of Art, 2000.14.9
I … Panel I from A Pictorial Sequence by R.H. Ives Gammell Based on “The Hound of Heaven,” 1941–1956, oil on board, 79” x 31”; Gift of the R.H. Ives Gammell Studios Trust, Collection of Maryhill Museum of Art, 2000.14.2

Nocturnes
On view March 15 – November 15, 2023

Alfred Philippe Roll (French, 1846–1919), The Funeral of Victor Hugo, 1885, oil on canvas, 27” x 33”; Gift of Alma de Bretteville Spreckels, Collection of Maryhill Museum of Art, 1951.7.249

Portraits
On view March 15 – November 15, 2023

R.H. Ives Gammell (American, 1893–1981), Frances Easton Tufts, 1923, oil on canvas, 35” x 28”; Gift of Paul and Emily Keller, Collection of Maryhill Museum of Art, 2006.12.3

Théâtre de la Mode

Maryhill Museum of Art’s permanent display of Théâtre de la Mode presents post-World War II French haute couture fashions on one-third-life-size human mannequins. In 2023, all or part of three different Théâtre de la Mode sets will be on view: Louis Touchagues’ “La Rue de la Paix en la Place Vendôme”; Georges Douking’s “L’Île de la Cité”; and a portion of Christian Bérard’s “Le Théâtre.” Read more about Théâtre de la Mode.

Henry à la Pensée (French, active 1800–1960s), Day ensemble and suede gloves, toque by Jane Blanchot, coiffure by Desfossés, from Georges Douking’s L’Île de la Cité décor, c. 1946, approx. 27½” tall (without hat); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art, 1952.2.14
Lucile Manguin (French, active 1928–1960), “Barbizon”: day ensemble and hat, coiffure by Alex Tonio, umbrella by Vedrennes, from Louis Touchagues’ La Rue de la Paix en la Place Vendôme décor, c. 1946, approx. 27½” tall (without hat); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art, 1952.2.19
White cotton organdy long evening dress by Nina Ricci: bands of machine-embroidered tone-on-tone circles on the full-layered skirt. Wrapped draped bodice with layers of ruffles forming short sleeves. Coiffure by Pourrière, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art.
“Rose de France” ensemble by Mendel: full-length ermine cape lined in pale pink satin (synthetic). Matching pink satin evening dress, the strapless bodice and full skirt embroidered in a scroll pattern of old-gold sequins. Coiffure by Desfossés, embroidery by Gaby, pale pink kid gloves by Hermès, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
Square-necked dress in sulfur yellow (synthetic) jersey with short sleeves and back buttoning by Jeanne Lafaurie. Purple suede belt with arrow pierced heart-shaped buckle. Purple suede-brimmed hat edged in parma grosgrain ribbon. c. 1946, approx. 27½” tall. The mannequin is from “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
Théâtre de la Mode: “L’Île de la Cité,” original 1946 fashions and mannequins in décor by Georges Douking (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
Théâtre de la Mode: “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, detail (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art

General Museum Images + Stonehenge

View looking west at Maryhill Museum of Art. Photo by Robert Reynolds.
View looking east at Maryhill Museum of Art. Photo by Robert Reynolds.
Maryhill Museum of Art
George E. Muehleck, Jr. Gallery of International Chess Sets at Maryhill Museum of Art. Photo by Robert Reynolds.
Chinese Staunton-style chess set
Indian chess set
Basketry in the museum's Indigenous Galleries
Basketry in the museum's Indigenous Galleries
Folies Bergere poster featuring modern dancer Loie Fuller, a close friend of Samuel Hill who is considered one of Maryhill's four founders.
Queen Marie Gallery at Maryhill Museum of Art. Photo by Robert Reynolds.
Maryhill is home to one of the West Coast's largest collections of work by French sculptor Auguste Rodin
Pavillion interior view. Photo by Robert Reynolds.
The museum's William and Catherine Dickson Sculpture Park features the museum’s permanent collection of large-scale sculpture, including "Quantum Man" by Julian Voss-Andreae, shown here.
Spring wildflowers are abundant on the grounds of Maryhill Museum of Art.
Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum.
Washington historian Edmund Meany at the 1918 dedication of the altar stone at Stonehenge Memorial. Collection of Maryhill Museum of Art.
Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.
Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.