Images for Publication

On this page you will find publication-quality images for current and upcoming special exhibitions, as well as general museum images (scroll to bottom), and objects from the permanent collection. INSTRUCTIONS FOR USE: Click any image to view a larger view, then right click to save and download for authorized use.

Images vary in print size, but all are 300 dpi for print. The titles and dates of the works are given, as well as credits, if applicable.

Copyright Notice: Images are intended for use by journalists. Use of any image must be accompanied by its credit line. Use of these images by any other parties or for any other purposes, private or commercial, is strictly prohibited unless express written consent is obtained directly from Maryhill Museum of Art. If you would like to use images from the collections for commercial or promotional use, please visit our Image Rights & Reproductions page.

Northwest/Southwest: Indigenous Art After 1980
On view March 15 – November 15, 2022

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  Pat Courtney Gold (Wasco/Tlingit, b. 1939), Sally’s Hidden Secret, 1999, cotton and chenille yarn, beads and denim rim, 6” x 5”; Museum purchase with funds provided by Wildhorse Casino and Resort, 2017.7.3

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  Marwin Begaye (Diné [Navajo], b. 1970), Columbia River Custodian, 2018, eight-color lithograph (with Judith Baumann), ed.: 2/18, 28¼” x 22¼”; Collection of Maryhill Museum of Art

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  Robert Taylor (Cherokee/Blackfeet/Osage/Crow, b. 1951), Like A Candle in the Wind, 2008, acrylic on canvas board, 20” x 16”; Purchased with funding provided by Persimmon Hill Associates, National Cowboy & Western Heritage Museum, Oklahoma City, 2008.17

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  Craig George (Diné [Navajo], b. 1970), Enchantment, from the artist’s “Bicycle Series,” 2018, giclée print, ed.: 4/50, 8½” x 10”; Museum purchase with funds provided by Stephen and Laura Muehleck, Collection of Maryhill Museum of Art

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  Rick Bartow (Wiyot, 1946–2016), Salmon Boy, 2015, drypoint on Mitsumata paper, ed.: 3/8, 21” x 27”; Gift of Loren G Lipson, M.D., Collection of Maryhill Museum of Art

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  Shonto Begay (Diné [Navajo], b. 1954), Taking Flight, c. 2016, acrylic on canvas, 12” x 36”; Museum purchase with funds provided by an anonymous donor, 2017.34.1

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  Cara Romero (Chemehuevi, b. 1977), 17 Mile Road, 2019, photo print on Canson Platine fiber rag paper, edition: 19/100, 10” X 10”; Collection of Maryhill Museum of Art, 2020.5.1

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  Will Wilson (Diné [Navajo]/Irish/Welsh, b. 1969), Madrienne Salgado, Jingle Dress Dancer/ Government and Public Relations Manager for the Muckleshoot Indian Tribe, Citizen of the Muckleshoot Nation, 2017 (printed 2020), photo print, ed: 11/50, 15” x 11”; Collection of Maryhill Museum of Art, 2020.11.1

Navajo and Pueblo Jewelry: Silver, Turquoise, Coral, Shell
On view March 15 – November 15, 2022

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  Left: Unknown Diné (Navajo) maker, Silver and turquoise bracelet, c. 1980, 4½” x 4” x 2½”; Right: Tommy Singer (Diné [Navajo], 1940–2014), Silver and turquoise bracelet, c. 2000, 2½” x 2¼” x 2”; Private collection

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  Left: Tommy Singer (Diné [Navajo], 1940–2014), Cuff bracelet with inlay, c. 2000, silver, turquoise, and coral, 1¼” tall; Middle: Unknown Diné (Navajo) maker, c. 2000, silver, turquoise, coral, and bear claw; Right: Tim Beeda (Diné [Navajo]), Silver and Bisbee turquoise bracelet, c. 2000, 1½” tall; Private collection

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  Valentino and Matilda Banteah (Zuni Pueblo), Silver and Sleeping Beauty turquoise concho belt, c. 2000, belt buckle: 2¼” x 3”; Private collection

Ornithology: Avian Imagery from the Permanent Collection
On view March 15 – November 15, 2022

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  Arthur W. Higgins (American, 1942–2011), Chickadee, c. 1979, woodblock print, ed.: 2/9, 12” x 11”; Donated by the Estate of Arthur Higgins, Collection of Maryhill Museum of Art

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  Arthur W. Higgins (American, 1942-2011), Saw-Whet Owl, c. 1980, woodblock print, ed.: 11/33, 14” x 11”; Gift of the Seniors of Mosier Valley, Collection of Maryhill Museum of Art

Théâtre de la Mode

Maryhill Museum of Art’s permanent display of Théâtre de la Mode presents post-World War II French haute couture fashions on one-third-life-size human mannequins. In 2022, all or part of three different Théâtre de la Mode sets will be on view: Louis Touchagues’ “La Rue de la Paix en la Place Vendôme”; Georges Douking’s “L’Île de la Cité”; and a portion of Christian Bérard’s “Le Théâtre.” Read more about Théâtre de la Mode.

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  White cotton organdy long evening dress by Nina Ricci: bands of machine-embroidered tone-on-tone circles on the full-layered skirt. Wrapped draped bodice with layers of ruffles forming short sleeves. Coiffure by Pourrière, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art.

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  “Rose de France” ensemble by Mendel: full-length ermine cape lined in pale pink satin (synthetic). Matching pink satin evening dress, the strapless bodice and full skirt embroidered in a scroll pattern of old-gold sequins. Coiffure by Desfossés, embroidery by Gaby, pale pink kid gloves by Hermès, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art

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  Square-necked dress in sulfur yellow (synthetic) jersey with short sleeves and back buttoning by Jeanne Lafaurie. Purple suede belt with arrow pierced heart-shaped buckle. Purple suede-brimmed hat edged in parma grosgrain ribbon. c. 1946, approx. 27½” tall. The mannequin is from “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art

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  Théâtre de la Mode: “L’Île de la Cité,” original 1946 fashions and mannequins in décor by Georges Douking (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art

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  Théâtre de la Mode: “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, detail (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art

General Museum Images + Stonehenge

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  View looking west at Maryhill Museum of Art. Photo by Robert Reynolds.

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  View looking east at Maryhill Museum of Art. Photo by Robert Reynolds.

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  Maryhill Museum of Art

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  George E. Muehleck, Jr. Gallery of International Chess Sets at Maryhill Museum of Art. Photo by Robert Reynolds.

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  Chinese Staunton-style chess set

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  Indian chess set

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  Basketry in the museum's Indigenous Galleries

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  Basketry in the museum's Indigenous Galleries

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  Folies Bergere poster featuring modern dancer Loie Fuller, a close friend of Samuel Hill who is considered one of Maryhill's four founders.

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  Queen Marie Gallery at Maryhill Museum of Art. Photo by Robert Reynolds.

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  Maryhill is home to one of the West Coast's largest collections of work by French sculptor Auguste Rodin

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  Pavillion interior view. Photo by Robert Reynolds.

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  The museum's William and Catherine Dickson Sculpture Park features the museum’s permanent collection of large-scale sculpture, including "Quantum Man" by Julian Voss-Andreae, shown here.

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  Spring wildflowers are abundant on the grounds of Maryhill Museum of Art.

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  Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum.

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  Washington historian Edmund Meany at the 1918 dedication of the altar stone at Stonehenge Memorial. Collection of Maryhill Museum of Art.

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  Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.

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  Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.