Images for Publication
How to use this page
On this page you will find publication-quality images for current and upcoming special exhibitions, as well as general museum images, and objects from the permanent collection. INSTRUCTIONS FOR USE: Click any image to view a larger view, then right click to save and download for authorized use. Alternatively, use the download high resolution button where available.
Images vary in print size, but all are 300 dpi for print. The titles and dates of the works are given, as well as credits, if applicable.
Copyright Notice: Images are intended for use by journalists. Use of any image must be accompanied by its credit line. Use of these images by any other parties or for any other purposes, private or commercial, is strictly prohibited unless express written consent is obtained directly from Maryhill Museum of Art. If you would like to use images from the collections for commercial or promotional use, please visit our Image Rights & Reproductions page.
You may also be interested in visiting our press room section, designed for use by the media.
People Images for Publication
Executive Director and Chief Executive Officer Amy Behrens
General Images for Publication
General Museum Images + Stonehenge
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View looking west at Maryhill Museum of Art. Photo by Robert Reynolds.
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View looking east at Maryhill Museum of Art. Photo by Robert Reynolds.
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Maryhill Museum of Art
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George E. Muehleck, Jr. Gallery of International Chess Sets at Maryhill Museum of Art. Photo by Robert Reynolds.
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Chinese Staunton-style chess set
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Indian chess set
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Basketry in the museum's Indigenous Galleries
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Basketry in the museum's Indigenous Galleries
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Folies Bergere poster featuring modern dancer Loie Fuller, a close friend of Samuel Hill who is considered one of Maryhill's four founders.
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Queen Marie Gallery at Maryhill Museum of Art. Photo by Robert Reynolds.
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Maryhill is home to one of the West Coast's largest collections of work by French sculptor Auguste Rodin
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Pavillion interior view. Photo by Robert Reynolds.
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The museum's William and Catherine Dickson Sculpture Park features the museum’s permanent collection of large-scale sculpture, including "Quantum Man" by Julian Voss-Andreae, shown here.
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Spring wildflowers are abundant on the grounds of Maryhill Museum of Art.
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Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum.
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Washington historian Edmund Meany at the 1918 dedication of the altar stone at Stonehenge Memorial. Collection of Maryhill Museum of Art.
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Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.
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Maryhill Museum of Art's Stonehenge Memorial, located three miles east of the museum. Photo by William Wright.
Current Exhibition Images for Publication
Capturing Light - 350 Years of European and American Paintings
Edward Moran (American [b. England], 1829–1901), Sailing Ships, Nantucket Light, c. 1890, 26½” x 22½”, oil on canvas; Collection of Maryhill Museum of Art
Sir John Lavery (Irish, 1856–1941), Their Majesties’ Court, Buckingham Palace (study), 1931, oil on canvas, 20” x 24”; Gift of Alma de Bretteville Spreckels, Collection of Maryhill Museum of Art
Annie Feray Mutrie (British, 1826–1893), Antique Vase with Poppies and Fruit, 1865, oil on canvas, 30” x 26”; Collection of Maryhill Museum of Art
Henk Bos (Dutch, 1901–1979), Eggs in Bowl and Blue Jar, c. 1960, oil on canvas, 14” x 16”; Collection of Maryhill Museum of Art
Thomas Hill (American [b. England], 1829–1908), Heart of the Sierras, 1875, oil on canvas, 40½” x 24½”; Gift of the Peter Esbenshade Estate, Collection of Maryhill Museum of Art
Thomas Hart Benton (1889–1975), Untitled, c. 1930, watercolor on paper, 19½” x 15⅝”; Gift of Christine Knowles, Collection of Maryhill Museum of Art
Gillis van Tilborch (Belgian, c. 1625–c. 1678), The Wedding Feast, c. 1665, oil on canvas, 45” x 75”; Collection of Maryhill Museum of Art
Robert Douglas Hunter - Still Lifes
Robert Douglas Hunter (American, 1928–2014), The Chinese Bowl, c. 1958, oil on canvas 30” x 24”; Collection of Maryhill Museum of Art
Robert Douglas Hunter (American, 1928–2014), Still Life with Three Lemons, c. 1958, oil on canvas, 12½” x 27½”; Collection of Maryhill Museum of Art
Robert Douglas Hunter (American, 1928–2014), Still Life on a Damask Drape, 1977, oil on canvas, 16” x 24”; Gift of Harry Keller, Collection of Maryhill Museum of Art
Robert Douglas Hunter (American, 1928–2014), The Guanyin Group, 1984, oil on canvas, 34” x 28”; Gift of Barbara and Vail Haak, Collection of Maryhill Museum of Art
Pacific Northwest Plein Air in the Columbia River Gorge
Aimee Erickson, The Lit World Beyond, 2024, oil on linen panel, 10’ x 10’; Courtesy of the artist
Romanian Folk Pottery
Unidentified artists (Romanian, active early 20th century), Romanian folk pottery, c. 1925, glazed ceramic, vase: 10¾” tall; Gift of Marie, Queen of Romania, Collection of Maryhill Museum of Art. The vessels are part of a larger gift of Romanian folk pottery that were given to Maryhill Museum of Art in 1926.
Unidentified artists (Romanian, active early 20th century), Romanian folk pottery, c. 1925, glazed ceramic, pots with handles: 8¼” and 7¼” tall; Gift of Marie, Queen of Romania, Collection of Maryhill Museum of Art. The vessels are part of a larger gift of Romanian folk pottery that were given to Maryhill Museum of Art in 1926.
The 1946 Lelong Dance Dress
Lelong Dance Dress from the Théâtre de la Mode collection, original 1946 fashion and mannequin; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
Permanent Exhibition Images for Publication
Théâtre de la Mode
Maryhill Museum of Art’s permanent display of Théâtre de la Mode presents post-World War II French haute couture fashions on one-third-life-size human mannequins. In 2023, all or part of three different Théâtre de la Mode sets will be on view: Louis Touchagues’ “La Rue de la Paix en la Place Vendôme”; Georges Douking’s “L’Île de la Cité”; and a portion of Christian Bérard’s “Le Théâtre.” Read more about Théâtre de la Mode.
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Henry à la Pensée (French, active 1800–1960s), Day ensemble and suede gloves, toque by Jane Blanchot, coiffure by Desfossés, from Georges Douking’s L’Île de la Cité décor, c. 1946, approx. 27½” tall (without hat); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art, 1952.2.14
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Lucile Manguin (French, active 1928–1960), “Barbizon”: day ensemble and hat, coiffure by Alex Tonio, umbrella by Vedrennes, from Louis Touchagues’ La Rue de la Paix en la Place Vendôme décor, c. 1946, approx. 27½” tall (without hat); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art, 1952.2.19
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White cotton organdy long evening dress by Nina Ricci: bands of machine-embroidered tone-on-tone circles on the full-layered skirt. Wrapped draped bodice with layers of ruffles forming short sleeves. Coiffure by Pourrière, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art.
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“Rose de France” ensemble by Mendel: full-length ermine cape lined in pale pink satin (synthetic). Matching pink satin evening dress, the strapless bodice and full skirt embroidered in a scroll pattern of old-gold sequins. Coiffure by Desfossés, embroidery by Gaby, pale pink kid gloves by Hermès, c. 1946, approx. 27½” tall. The mannequin is from Christian Bérard’s Le Théâtre décor; Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
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Square-necked dress in sulfur yellow (synthetic) jersey with short sleeves and back buttoning by Jeanne Lafaurie. Purple suede belt with arrow pierced heart-shaped buckle. Purple suede-brimmed hat edged in parma grosgrain ribbon. c. 1946, approx. 27½” tall. The mannequin is from “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
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Théâtre de la Mode: “L’Île de la Cité,” original 1946 fashions and mannequins in décor by Georges Douking (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
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Théâtre de la Mode: “La Rue de la Paix en la Place Vendôme,” fashions and mannequins in décor by Louis Touchagues, detail (recreated by Anne Surgers); Gift of Chambre Syndicale de la Couture Parisienne and Paul Verdier, Collection of Maryhill Museum of Art
